The Great as a Means of Protagonist Empowerment in Like Water for Chocolate by simply Laura Esquivel and the Home of the Mood by Isabel... - 1620

The Supernatural as a Means of Protagonist Empowerment in Like Water for Candy by Laura Esquivel and The House of the Spirits by Isabel Alla

IB A1 English HL

World Books Comparative Dissertation

Word Depend: 1496

Keri-Anne Murray

Candidate #: 003072-058

World Literature Comparative Composition

1

In Like Normal water for Candy and The Property of the State of mind, respective creators Laura Esquivel and Isabel Allende make use of a connection with the supernatural to empower the protagonists in three ways. First of all, the central characters in each story possess exceptional otherworldly skills, which enable them to range themselves off their oppressors. Second, the unnatural is energetic in offering spiritual treatment of those in dire circumstances. Finally, supernatural events are responsible for the eventual suppression of the main antagonist of each novel, plus the subsequent freedom of the protagonists. Supernatural personal strength is also accustomed to convey the authors' views on Latin American traditions, which will be investigated in relation to every form of supernatural empowerment talked about.

In both equally novels, the oppressors of the central character types desire to control them entirely, however , the protagonists possess unique skills which come with their aid. In the home of the Spirits, author Mas alla uses Esteban Trueba's desire and requirement to possess his wife Clara entirely, to portray the view outside the window that in Latin American culture, there exists an implication of feminine inferiority and submissiveness in relationships. Alla, however , conveys a negative perspective of this social expectation, by giving Clara great abilities which usually sustain her, allowing her to detach herself from him and be self-employed. The reader understands that Esteban desires " far more than her physique; he desired control over that undefined and luminous material that place within her…” (Allende 111). The use of mysterious realism in this description of Clara's " undefined and luminous” element emphasises her otherworldly character, creating an image of a light which Esteban cannot grasp with his hands, for his fingers merely pass through. It truly is precisely this supernatural element of Clara's personality which gives her strength, freedom and the power to resist domination by Esteban. " This individual realised that Clara did not belong to him and that if she continued living in a world of apparitions … the girl probably under no circumstances would” (Allende 118). Clara's clairvoyance and preoccupation with spirits stop Esteban via controlling her. Whilst this individual becomes more and more enraged in the unbridgeable range between them, Clara is articles, strong and empowered, hence defying the Latin American culture of female inferiority which is intended in the book.

In Just like Water for Chocolate, Mother Elena contains a similar passion to Esteban's, in desiring to control her daughter Tita's every push. Through her description from the de la Garza family tradition, the author portrays Latin American culture since giving family members values great importance. In compliance with her family members values, Tita, as the youngest daughter, is required to commit her

Keri-Anne Murray

Prospect #: 003072-058

World Literary works Comparative Composition

2

life to the proper care of her mother, who firmly denies her the possibilities of love and marriage. Simply by empowering Tita through her supernatural culinary arts abilities, an attribute of Tita's personality which Mom Elena simply cannot control, the author protests against this focus on honouring family tradition at the expense of person rights. " In the kitchen … flavours, odours, textures as well as the effect they could have had been beyond Mom Elena's flat iron command” (Esquivel 45). Tita's domain is the kitchen, and she transactions her inner-most feelings to her cooking. The results are food which reconstruct Tita's feeling and infuse her deepest desires in to those who consume the food. When Mama Elena bans every communication between Tita and her love Pedro, Tita channels her emotions into her food preparation to create " a new...

Cited: Allende, Isabel. The House in the Spirits. Trans. Magda Bogin. London: Black Swan Books,

1986.

Esquivel, Laura. Just like Water pertaining to Chocolate. Trans. Carol Christensen and Jones

Christensen. London: Black Swan Books, 93.



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